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In The Killing, though, that initial hook just dug deeper into my psyche - with an imaginative and believable script that managed to shift suspicion from one character to another, week by week: a local school teacher, a mayoral candidate, a local political lobbyist, a small time criminal, among others - but all the while keeping the viewer guessing. That alone, in a lesser quality production, is often not sufficient, however. It's the unrelenting search for the killer by Sarah Lund (Sofie Grabol) - despite internal police politics - that kept this viewer hooked, initially.
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To some extent, it reminded me of the excellent work the British did do with the series from mid-1960s to mid-1970s, called Softly, Softly, still one of the best TV cop shows ever made.
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From my perspective, though, one of the most interesting aspects of the entire series is the slow, plodding work so well portrayed by the script, actors and director. Viewer's interest is captured from the outset with the circumstances surrounding the murder crime scene which opens up the mystery. It's a long process, however, covering twenty episodes (which I saw on SBS TV). This multilayered narrative, with three interwoven stories: the investigation of a grisly murder a tough female police detective in the midst of marital problems and the shenanigans of a local mayoral election - all merge, in different ways, in the process of discovering the identity of the murderer. I don't watch a lot of TV, but I'm quite partial to Danish thriller productions which I generally rate more highly than British, and even others well known for quality work - for example, Swedish, German and French.